Themaskhouse – One of a kind limited edition Awesone since july 2011 vintage shirt

 This is our best seller for a reason. Relaxed, tailored and ultra-comfortable, you’ll love the way you look in this durable, reliable classic 100% pre-shrunk cotton (heather gray color is 90% cotton/10% polyester, light heather gray is 98% cotton/2% polyester, heather black is 50% cotton/50% polyester) | Fabric Weight: 5.0 oz (mid-weight) Tip: Buying 2 products or more at the same time will save you quite a lot on shipping fees. You can gift it for mom dad papa mommy daddy mama boyfriend girlfriend grandpa grandma grandfather grandmother husband wife family teacher Its also casual enough to wear for working out shopping running jogging hiking biking or hanging out with friends Unique design personalized design for Valentines day St Patricks day Mothers day Fathers day Birthday More info 53 oz ? pre-shrunk cotton Double-needle stitched neckline bottom hem and sleeves Quarter turned Seven-eighths inch seamless collar Shoulder-to-shoulder taping

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“My name comes with a lot of history. It is a name that my great-great-grandfather lived with through boarding schools and genocide. It’s a statement that we’re still here.” The exhibit features 10 Halfmoon pieces in total, including a mix of small- and large-scale works. The stoneware sculptures were all made in Helena, Montana, where Halfmoon is currently doing a clay residency at the Archie Bray Foundation. Halfmoon’s large-scale works in the exhibit are a particular standout: Some of them weigh up to 450 pounds and stand almost six feet high. “I’ve always been drawn to large-scale artworks,” Halfmoon says. “It makes you feel small, and sometimes I think we need moments like that.” Some of the works were so large they even demanded a four-day firing in their kilns. “I max out every kiln I’m in,” she says. “I would like to make works a lot larger, though. I’d need a crane.”

One of her larger pieces in the show is Hey’-en, Ina, Ika. It depicts three Indigenous women standing side by side, and serves as a representation of the strong Indigenous women in Halfmoon’s life. “It represents my grandmother, my mother, and myself,” she says. “It represents multiple lineages and generations.” In general, the artist tends to favor creating sculptures of women versus men. “The strongest women I know are Native,” she says. “They’re very androgynous though. I don’t glaze makeup onto them or give them crazy eyelashes. I’m not worried about making them beautiful—they’re meant to be a powerful presence.”

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